Archive for October, 2008

October 29th, 2008

October 29th in Magnolia, Mississippi

Down in Magnolia, Mississippi trying to track down Carolyn Krieger, the sole witness to the murder for which Lenny is serving his life sentence. The State had not been able to ‘produce’ her so people assumed she has passed away. We know it’s not be

cause they’re not trying to find witnesses because they produced two other women (the sisters who were living claim to have been living in the house with Lenny when the murder took place… Yet the story is so convoluted that one of the two sisters (admittedly a woman with a 30 year heroin habit) actually said only 10 days ago that she remembered that it was Mike Myers, not Lenny who committed the murder.

With luck and perseverance we found her and now have good reason to believe she’s living with her son in this small town. Carolyn is Lenny’s whole case and now that we know she’s alive, it’s only a matter of having her corroborate or contradict her original testimony. Either way, the case now turns.

It’s an incredibly exciting day. Crosby, Lenny’s lawyer is ecstatic, Will, Lenny’s benefactor, friend and supporter is anxious. Lenny? I don’t know. Might see him tomorrow.

Why am I writing and not tracking down Carolyn…? Ran out of battery power on my camera and found a coffee shop that has wireless! I’m loving it.

October 27th, 2008

October 27th

October 27

I couldn’t make it down to Louisiana today for the first hearing in the Lenny Nicholas project, but we sent my producer, Melissa Brown, with a cameraman to document the occasion. In actuality, we’re p

otentially looking at years of legal wrangling and indeed, the DA’s office made it very clear that even if they had a long shot to win the case, it would a very long time before Lenny Nicholas walks out of Angola. He’s already in his mid 50′s so they’re hoping that the prospect of his spending another decade behind bars will force him to negotiate for a lesser charge. What they don’t want is a wrongful conviction lawsuit and the huge financial penalties that follow.

A little after mid day Melissa called and told me that everyone down there is completely supportive of what we’re doing and especially, Will Ourso, Lenny very generous and impassioned friend who is the mainstay behind the effort to free Lenny. Will has been very hesitant about letting us film him or for that matter to let us make this film. And i don’t blame him at all. It is his mission to not only get justice for Lenny but use the film to reveal the truth about the unfairness of our legal system. He was not interested in giving away the rights to Lenny’s story until we could convince him that we were going to help Lenny (and surely not hurt him). He also wanted help right now and the truth is most documentary films take years to get out and have little direct nor immediate impact on the subjects (at least until the film gets out) and he didn’t want to make Lenny wait any longer. When I told him that our making a film would not impede them from pursuing a 60 Minutes piece or a 48 hours he relented. As far as I’m concerned, he’s right and we have to design more dynamic ways of storytelling so that our work can get out in more efficient and effective way.

Tomorrow morning I head down to New Orleans to see where the next leg of the story will take us…

October 24th, 2008

The Marlboro Man

Every once in a while a story crosses my path that is so powerful you have to pursue it Lenny Nicholas’ story is one of those..

Last December I was filming Sunday services in Angola Prison in Louisiana. The plan was to film the boss, Warden Cai

n, who was scheduled to share some good Christmas spirit with the inmate congregation. We waited and waited and the Warden did not show up and the Preacher was about to end the service. Knowing how important it was to get this scene in the ‘can’, I asked the Preacher if he would invite the man who had been ‘testifying’ when we first entered the Church to repeat what he had said as we were unable to film it the first time.

Up walked Lenny, who is best described as the Marlboro Man… Six feet plus inches, in cowboy boots, a hat, blue jeans and a horseman’s saunter. In his 50′s, sun worn, tough with a kind demeanor. A bit shy at first, Lenny began sharing his experience of a Christmas miracle. (here we can put in some video as I shot this)..

Lenny had been in prison for close on 30 years always proclaiming his innocence. He is serving a life sentence for murder of a barkeep in an armed robbery in New Orleans. The eyewitness and girlfriend of the victim, Carolyn Krieger, was raped. There was no physical evidence and as such, the entire case rested on her testimony. There is no doubt that Lenny had been a bad ass, but he had no prior convictions for violent crimes and over the years had evolved into a model inmate. Indeed, he had earned the trust of the administration by being the Farm’s horse whisperer. In fact, his sleeping quarters (and not a cell) are down at the barn where the prison keeps their best horses.

Lenny explained that a year earlier the had met a man named Will who was donating a horse to the prison and wanted to make sure it would be well taken care of. From there a friendship began. Will was a wealthy businessman who had never visited prisons nor trusted prisoners, so when Lenny told him he was innocent, he asked, “okay, then are you willing to take a lie detector test?”. Lenny passed it with flying colors, but Will, not trusting brought in someone from the outside with decades of experience. Once again Lenny passed and Will was now willing to trust.

He then hired a detective which led to Lenny’s Christmas miracle. After a few months he tracked down another inmate from a different facility who wanted to confess to the crime for which Lenny is serving time. Warden went to the hospital with a film crew and recorded the confession. With the confession in hand Will went to the district attorney’s office to see if they would reconsider the life sentence. They offered to change the charge from Murder one to Manslaughter and with it a shift from ‘life sentence’ to 50 years. With that Lenny could walk out of Angola.

The problem is Lenny refused to confess to something he insists he did not do and would rather stay behind bars then lie.

The District Attorney’s office now says they’ll fight it and he’ll never walk out or if he does it will be years from now. They have little to gain by relenting the real possibility of a law suit against them if they don’t fight. Lenny’s lawyers have filed a motion requesting a new trial. This hearing is set fro Monday, October 27.

And the crazy thing..beyond the confession? When Lenny’s lawyer’s finally got access to the DA’s files they found out that the key witness, Carolyn Krieger insisted that the perpetrator of the crime was a black man…

Anyhow, I’ll keep you informed as the story unfolds. I’ve been filming with Lenny in Angola, ut not sure where we’re going with this. I want to tell the story, but I want to follow it even more and by the way, Lenny is a great person and fully deserving of freedom and everyone in the prison, especially the Warden, knows it.

October 16th, 2008

NYU Global Affairs Graduate Society Screening

NYU’s Global Affairs Graduate Society invites you to:

The Road To Redemption

A journey with former female child soldiers of the Liberian Civil War as they attempt recovery and rehabilitation in a post-conflict

society.

Film Screening and Q&A with Emmy and Academy Award winning filmmaker Jonathan Stack

NYU’s Center for Global Affairs

15 Barclay St, Woolworth Building

Monday Oct 20th at 6:30 pm

Room TBA

RSVP to gags.nyu@gmail.com

Feel free to forward onto interested parties.

A HIGHEST COMMON DENOMINATOR PRODUCTIONLike so many in Liberia’s long and gruesome civil war, the true number will never be known, but it’s estimated that 30-40% of the combatants were women and girls. Illiteracy, chaos, and brutality prevented all but a few from partaking in UN-sponsored disarmament programs. These young women witnessed and participated in unspeakable violence, and were almost universally and brutally raped. How do societies and individuals heal the profound psychological wounds such acts inflict? Jonathan Stack’s intimate journey with them captures the courage and dignity with which these women seek their own path to forgiveness and redemption – to, in the words of one, "become a human being".

Producer and Director: Jonathan Stack

Co-Director: Susan Shea and Lila Place

Camera: Jonathan Stack

To further your journey go to www.hcdmediagroup.com International Documentary Film Festival Amsterdam 2008

Director’s Biography

Jonathan Stack is a multiple Emmy Award winning and two- time Academy Award® nominated documentary filmmaker. During his career Jonathan has written, produced and directed over 25 films and 50 television programs including The Farm, which was honored as Sundance Film Festival’s 1998 Grand Jury Prize winner. He has distributed his films through HBO, BBC, Channel Four, Discovery Channel, A&E–among many others. While working as an independent filmmaker he earned a reputation for his unique ability to gain access into forbidden and even dangerous worlds. His exclusives include, President Charles Taylor’s farewell speech to the nation of Liberia (Liberia: An Uncivil War) and a rare interview with David Miscaivage, head of the Church of Scientology (Inside the Church of Scientology). In 2008 he produced Iron Ladies of Liberia, a film that tells the story of Ellen Johnson Sirleaf, Africa’s first female president. Over the years he has consistently found a way to explore difficult subject matter often in intractably dark circumstances and despair, transforming it into stories of hope and possibility that reflect his ultimate belief – that by telling positive stories one helps to create a more positive world.

October 1st, 2008

IDFA official selection

We are thrilled to announce that our film, The Roa

d to Redemption has been accepted into the International Documentary Film Festival Amsterdam.

Subscribe to our Newsletter

To receive the latest news about our current and future projects, schedules, and ideas please subscribe to our newsletter.

Our Mission

Our mission is to harness the universal power of storytelling to captivate viewers by presenting and celebrating acts of courage and forgiveness, inspiring others to transform their own narratives.